This illustration has been sitting on my table for at least six months now. Every chance I get, I go and add a few thousand more dots to it and then set it aside for another day. I started using the most amazing erase-able pens about half way through. They are manufactured in Japan and use thermal ink. When you rub the ink with a piece of soft plastic, it creates enough heat that the ink completely disappears! It’s magic. Otherwise, the pens work nicely. It is an interesting solution for my unsteady hands. On the plus side, I can correct my mistakes. On the minus side, any extreme temperatures can either remove or replace the ink as well. I guess I will need to have a disclaimer on my work stating that it should never be stored or displayed in anything but a climate controlled dwelling. Put my artwork in an attic and you might just find out the truth!
In my previous post, I mentioned that I have a separate site for my illustrations. My daughter is a graphic designer and we have teamed together to form a shop called Pronghorn Designs.
I started my career path as classic artist, earning a degree in fine art and, while I originally thought I would go into painting, I always seemed to drift back to drawing. I love the details. The above drawing of a dragonfly was done while looking through a magnifying glass. That is how much I love the details.
My drawings are almost always inspired by nature. I am not a big fan of architectural drawing or of portraiture although I have dabbled in both. I tend to gravitate towards individual subjects rather than busy scenes or layered compositions. My focus is rather intense.
My hands are badly arthritic now and I am not sure how many more drawings of this type I have in me. Lately, as in the above drawings, I have been working by stippling (drawing with dots) because my hands shake too much to make a reliable line. I will eventually have both of my thumbs rebuilt but until then, I will focus more on the metal work.